From Poetry

On streaming / Michael Ray

My poems often arrive at inconvenient moments; like the client who begins to tell their therapist about the abuse thirty seconds before the end of the session. They spill just before I have to leave for work, or while I’m driving, when a comment on the radio, an ambiguous billboard, causes me to pull over,…

London Readings: Photo Gallery

Photos from our event in The Music Room at 49 Great Ormond Street on Thursday, 28th June. Photos by Michou Burckett St. Laurent. About the Authors Dan Coxon edited the award-winning anthology Being Dad (Best Anthology, Saboteur Awards 2016) and is a Contributing Editor at The Lonely Crowd. His writing has appeared in Salon, Popshot,…

‘A Broken Mirror Reflects Light Differently’ / An Interview with Robert Minhinnick

Every piece of writing feeds into something else. The two poems here [in Issue 9] were written on the same day, which is most unusual for me. But nothing comes from nowhere. All writers are walking around with a headful of tunes. Sometimes you find the energy to write them down. I’ve been thinking about my ‘boots’ and that overgrown back lane for years. I owned a pair of Dakota boots in Saskatchewan and have written about those.

Because I think it an extraordinary place, the three miles between the mouths of the Cynffig and Ogwr are often where I locate my writing. And when you’ve been to Saddam Hussein’s Babylon or the old totalitarian squares of Tirana, you don’t need to invent new worlds because it’s already impossible to do those factual places justice…

On Writing ‘Four Poems’ / Sarah Doyle

On writing ‘Ammonite’, ‘Elegy for Victorian Gasworks’, ‘Near Misses’, and ‘Stitches’ (from Issue 9 of The Lonely Crowd). I would say that these four poems fall neatly into two groups of two: the universal (external), and the personal (internal).  Poems in the former category come easier to me than those in the latter. I’ve been…

Forty Years of Editing: Some Do’s, Some Don’ts 1978—2018 / Gerald Dawe

My plan is to think aloud about my experiences, stretching over roughly forty years, of editing sixteen or so titles. These books, edited by myself or with co-editors, include collections of essays, poetry anthologies, editions of individual writers’ work and proceedings from conferences and lecture series. But I’d like to begin with some (brief) personal…

The Lonely Crowd / London Readings

We’re delighted to announce our first London event on 28/06/18 in the beautiful setting of The Music Room, 49 Great Ormond Street. Featuring readings from Joe Dunthorne, Martina Evans, Robert Minhinnick, Courttia Newland, David Hayden, Sarah Doyle, Louise Warren & Dan Coxon. Hosted by John Lavin & Michou Burckett St. Laurent. You can purchase tickets below via…

Two Poems by Rhea Seren Phillips

The Sea Laughed and the Stomach Blushed is read by Larissa Thompson & Madness by Sammy Pop. These poems by Rhea Seren Phillips are published in Issue Nine of The Lonely Crowd. Rhea Seren Phillips is a Ph.D student at Swansea University. She is studying how Welsh poetic forms and metre could be used to…