From Criticism

On Three Poems Supriya Kaur Dhaliwal

Supriya Kaur Dhaliwal discusses her three poems featured in Issue Eleven of The Lonely Crowd. While living in Dublin during the year of 2017, I relocated to Antwerp, Belgium for the summer to work on the archives of Samuel Beckett at the University of Antwerp. That summer often felt like wearing the shoes that didn’t quite fit…

Books of the Year 2019 / Part Four

Contributors to The Lonely Crowd pick the best books that they have read this year. Jaki McCarrick My reading in 2019 was disparate and strange. At night I mostly read fiction, some novels I had already read or missed classics or works published a few years previously. During the day, I read books I’d been asked to review, much…

Books of the Year 2019 / Part Three

Contributors to The Lonely Crowd pick the best books that they have read this year. Lisa Harding When I was gifted the much-hyped bestseller Three Women by Lisa Taddeo, I was sceptical. The grandiose claims that this a ‘once-in-a generation book’, that it is a ‘masterpiece’,’ astonishing’, ‘compelling’, an ‘instant classic’ made me weary and wary, and yes, prone…

Books of the Year 2019 / Part Two

Contributors to The Lonely Crowd pick the best books that they have read this year. Jo Mazelis Around January of this year I began writing and researching a novel set in London in the 1970s. My research was varied, covering everything from music, history, politics and subculture. One of the key books, A Hero For High Times by Ian…

Books of the Year 2019 / Part One

Contributors to The Lonely Crowd pick the best books that they have read this year.  Mary Morrissy Maybe because I’m far advanced into the writing of a novel, I’ve found myself reading a lot of non-fiction this year, and reluctant memoirists, in particular, it would seem. As a result, all of these writers seem to write slant about personal…

Writing ‘Traces’ / Darragh McCausland

As a commuter, I became interested in repetition. For the guts of a decade, I’ve worked in a part of Dublin that is out in the suburbs, miles away from where I live. To get there by 8.15 am, I walk a bit, then get a tram, then a train. The entire process takes about…

On Writing ‘Town Talking’ / Jonathan Edwards

Jonathan Edwards discusses his four new poems in Issue Eleven. John Lennon once said that life is what happens when you’re busy making other plans. For a poet, it’s often the case that a poem is what happens when you’re doing something else. Poems have a terrible habit of leaping out at you when you’re…

‘Grey Wizard’: The Seeds / Catherine Wilkinson

Catherine Wilkinson discusses the creative process behind her short story ‘Grey Wizard’, featured in Issue Eleven. The forensic analysis of a story is an exercise I relish, including the detection of which nuggets have snuck in from what aspects of a writer’s life or research: the ornamental eggs from Monique Roffey’s memoir (With the Kisses of His…

Composition Notes: boggled, distraced … / Polly Atkin

Polly Atkin discusses her two poems in Issue Eleven of The Lonely Crowd. ‘Distraced’ I have an ever-growing pile of poems that have been generated by mishearings, misreadings or mis-spellings of words. I find I often have a different interpretation of the fractions that make up words, in sound or on the page, to those…

Writing ‘Summer’ and ‘Victims’ / Natalie Crick

Natalie Crick discusses the writing process behind her poems in Issue Eleven of The Lonely Crowd. In my poetry I tend to write about lonely places with stark, bleak qualities and most importantly a sense of abandonment. Such places are usually houses or rural farming land, with hints of desertion and decay pervading each stanza.…

On Writing / Kevin Cahill

Issue Ten of The Lonely Crowd features two new poems by Kevin Cahill. I was dying. The four walls were closing in. At thirteen it was already easier to see the end of the world, than the end of school; the end of my life than the end of the grammar books. The kinks in…

On Finding Ways Out / Kate North

Two of my poems published in Issue Nine of The Lonely Crowd (May 2018) came from my collection The Way Out launched in October 2018. ‘Paris, December 25th’ and ‘Mount Ainos’ are both poems about journeys. The entire collection is structured as a journey in three separate parts; In, Through and Out. The journey leads to an ending that is also a point of departure, encouraging the reader to determine their own direction on from the text.