Tracey Rhys on the impetus for her four Bathsheba poems in Issue Twelve. There has only been one dream in my life that I have ever written about, although I’ve often woken up convinced that I’d dreamt the best plot ever, only to realise … well, it was a bit shit really. This one was…
My best writing however, comes from a place of contentment, a place in nature – a calm sort of high is what drives my pen. So as to mania and creativity, I would concur with Jeanette Winterson – in Why be Happy when you could be Normal? – that madness does not inspire, but that creativity is the means by which one defeats madness. Creativity was a slow ladder out of it all.
Rachael Smart: Firstly, congratulations on Love Stories for Hectic People, a collection which excavates love in all of its forms. It is tender and wounding, erotic and transporting, it takes both regular and extraordinary moments in love and offers up brief narratives that are oblique and always unflinching. Your former collections, Pelt and The Cartography…
Truth and Fiction in Story-Telling When I was a young, confused graphic design student, in the long-ago days of collage and drawing boards, I remember train rides across Sydney to art college. I remember the obsessions of a late, damaged teenagehood involving the death of a child, years of classical piano, Tchaikovsky LPs, warped discotheques…
Lauren Mackenzie discusses ‘Free Love’, her short story in Issue Twelve. You can listen to Lauren read the story here. ‘Free Love’ is one story from an interconnected collection called That Sky That Sky which I am currently writing about a family set in Australia and Ireland over the last fifty years. The idea for…
Elizabeth Baines reads an extract from her short story, ‘The Words He Said’, published in Issue Twelve. See the site tomorrow for Elizabeth’s short essay on the composition of the story. Listen to Elizabeth read an extract from the story here. ‘The Words He Said’ is a story about the years-long consequences of a single…
Richard Smyth discusses his new short story in Issue Twelve. I’ve never been to Greenland. I spent a week in Inverness when I was ten (1458 miles away), which I think is the closest to Greenland I’ve been, unless you contend that the fractionally closer cultural connections of Stockholm, where I took a city-break in…
Mark Blayney discusses ‘Plainsong’, his new short story in Issue Twelve. My friend Dennis is obsessed with building a model of St Paul’s Cathedral out of matchsticks. This might seem a rather pointless endeavour, but think about your own obsessions, if you have any. I’ll wager they’re not too closely aligned to reason or logic.…
Jonathan Gibbs discusses his short story in Issue 12. You can listen to Jonathan read the opening of the story here. ‘A Prolonged Kiss’ has since been shortlisted for the prestigious Sunday Times / Audible Short Story of the Year Award. ‘A Prolonged Kiss’ is a story that was a long time coming. It grew…
Hisham Bustani discusses the creative process behind his two poems in Issue Twelve of The Lonely Crowd. Act I We met in front of the closed door of a martial arts training centre, in a drab building located in the heart of what was (at that time) a haven for well-off Iraqis who fled…
‘The past is a foreign country: they do things differently there’ is the oft-quoted opening line of L P Hartley’s novel The Go-Between. Before checking the quote I wrote it as ‘The past is another country’ and then found that I am far from being the first to make that mistake. Our memories are unreliable and apt to deceive us; indeed, they are remade every time we call them to mind, so multiplying the possibilities of distortion. In ‘Goosey’ I explore ways in which the past can hold us hostage and the means by which we can escape its tyranny. As befits the form of the short story, the dramas faced by my central character, Rodney, are small in scale, but none the less real or challenging: his mother has died and he has to sort through her affairs, including photographs of his life in the theatre, which evoke for him other loves and losses. ‘Goosey’ is the story of how he copes and finds ways to carry
Fergus Cronin discusses his short story ‘Badlands’, featured in Issue Twelve of The Lonely Crowd. It’s a dangerous time. Truth is shy. Hate slakes fear. Fixes are scarce. But poetry and fiction can do their thing: use their own ‘lies’ thoughtfully; untwist some of the awfulness; reclaim the meaning of words; mean to be…
Contributors old and new to The Lonely Crowd choose the books that they have most enjoyed reading in 2020. Given the nature of the year, not all of these titles were published in 2020. David Hayden Here are some of the books I read, and reread, this year, which made a difference to me. African…
Contributors old and new to The Lonely Crowd choose the books that they have most enjoyed reading in 2020. Given the nature of the year, not all of these titles were published in 2020. Hisham Bustani Inua Ellams, The Actual It is surprising how much writing in general, and poetry in particular, have succumbed to…