From Issue Eleven

On Writing ‘Town Talking’ / Jonathan Edwards

Jonathan Edwards discusses his four new poems in Issue Eleven. John Lennon once said that life is what happens when you’re busy making other plans. For a poet, it’s often the case that a poem is what happens when you’re doing something else. Poems have a terrible habit of leaping out at you when you’re…

‘Grey Wizard’: The Seeds / Catherine Wilkinson

Catherine Wilkinson discusses the creative process behind her short story ‘Grey Wizard’, featured in Issue Eleven. The forensic analysis of a story is an exercise I relish, including the detection of which nuggets have snuck in from what aspects of a writer’s life or research: the ornamental eggs from Monique Roffey’s memoir (With the Kisses of His…

Composition Notes: boggled, distraced … / Polly Atkin

Polly Atkin discusses her two poems in Issue Eleven of The Lonely Crowd. ‘Distraced’ I have an ever-growing pile of poems that have been generated by mishearings, misreadings or mis-spellings of words. I find I often have a different interpretation of the fractions that make up words, in sound or on the page, to those…

Writing ‘Summer’ and ‘Victims’ / Natalie Crick

Natalie Crick discusses the writing process behind her poems in Issue Eleven of The Lonely Crowd. In my poetry I tend to write about lonely places with stark, bleak qualities and most importantly a sense of abandonment. Such places are usually houses or rural farming land, with hints of desertion and decay pervading each stanza.…

‘The Haunted Land’ Paul Scraton

It was during my final year in Berlin that Johannes began drinking in the pub. He came on Fridays, to end the working week sitting at the corner of the bar. Johannes went to the pub, he said, to be somewhere different than the places he spent the rest of the week, to be among…